Tuesday, October 30, 2012

these things happen


He turns on, and off, like a robot.  

Sam found him standing there in the dorm, naked and unresponsive.  After calling his name seven or eight times, the robot finally turned back on from off and looked at Sam from the black.  He looked right at Sam and said, I know I should have clothes on and proceeded to put right leg after left into the jeans crumpled at his feet.  Then the robot crawled into bed.  

The next day it happened at the coffee maker.  He was going through the motions of making coffee.  First he found a filter.  He poured one, two, three scoops of grounds.  Then he filled the glass carafe and raised his elbow toward the ceiling, pouring water into the back of the machine.  There he froze, his arm an inverted V, an immovable mountain.  It held the coffee pot in mid pour.  

The water in the pot stayed level with the earth, only the chalice was tipping.  

He stared at a fixed point, looking through it.  He was the holder of earth things, of water and glass and stone.  He was the holder of breakable earth things.  The room moved around him.  Chairs slid back as other youth stood up.  A fork echoed off the table as it fell from plate to table to floor.   Whole glaciers felt the earth sway one tenth of one tenth of one millimeter.  The water in the tilted pot trembled.  

Several people said his name but no one dared to touch him.  To touch him could cause an avalanche in Siberia.  

Then, without any flare or fury, the robot turned himself back on and the water emptied itself into the machine.  The coffee groaned.  The mountains righted themselves.  The sky sighed.  

The robot sat down and waited. The bodies bussing their tables around him, waited. The earth, spilling all around him, waited.

Only the coffee went on percolating.  

Thursday, September 13, 2012

Robot Love

There are three things that robots cannot do,” wrote Maxon. Then beneath that on the page he wrote three dots, indented. Beside the first dot he wrote “Show preference without reason (LOVE)” and then “Doubt rational decisions (REGRET)” and finally “Trust data from a previously unreliable source (FORGIVE).”
Love, regret, forgive. He underscored each word with three dark lines and tapped his pen on each eyebrow three times. He hadn’t noticed that his mouth was sagging open. He was not quite thirty, the youngest astronaut at NASA by a mile.
I do what robots can’t do, he thought. But why do I do these things?
 -from Shine Shine Shine by Lydia Netzer

Wednesday, August 22, 2012

i dream in color

chains.  a row of chains.  long, heavy, rusted.  hanging from an open concrete vault, only the vault is turned on its side and we are in it, we are pouring out.  slanted light is pouring in.  we are jumping and i am taking pictures.  so many pictures!  the colors are all so rich, so vibrant, so incredibly vivid.  each shot is richer than the last.  these dessert colors, the red rusts streaked across the canyon.  wait, the canyon?  so many layers of brown on brown.

peek beyond the vault, crawl to its edges and see the world drop away.  mountains inverted.  deep deep gully.  deep rich belly.  and still the chains are calling.  clink, clink.  clinkclink.  clink.  i snap another photo but your curls are in the way.  so many curls!  jessica of the blue eyes and the always in the way.

we laugh.  we jump.  we take more

pictures

Saturday, July 14, 2012

imprint of a kiwi

i was walking with you last night by a river.  you were walking with yourself, your little girl self.  she picked up a bike and you got on the back as she pedaled out into the current.

i hesitated on the shore.

i didn't have a bike, and i was afraid my dress would weigh me down.  ultimately i didn't want to lose you to the other side so i jumped in after you.  i kept my head above the surface the whole time.

we pulled ourselves up out of the water.  we dried ourselves stepping through the sun.  we curled up in a cabin where you and little you were overflowing with laughter.  it reminded me of the first time i saw her peeking out.  you were telling a story about sun salutes and the way you interacted with the Afghan observer.  your mischievousness pulled me in.

i was in your happy place and it became my happy place.  light and airy and spacious.

and then i checked my phone.

the voicemail began pulling me back to the other shore.  as i stood to leave i noticed my dress had dried quickly from the heat.  something wasn't right.  the front was stained from the dirty reeds in the river and i felt a sadness for ruining it.

the reeds made a pattern that became a sort of intention.  a perfect outline of bulbs and branch.  a block print all along the front of me. i joked that i should swim the backstroke to complete the pattern.  i soaked up your smile.

and then i woke.  aching for the river, the dress: the message from the pattern

Monday, July 2, 2012

what then?

if not this, then what?

do you think it's worth it.  just look me in the eyes and tell me you think it's worth it: to kick someone out on the street so they can get kidnapped.

i try not to sigh.  her need is so great and the question is impossible to answer because it is. . .a pretzel question.  the kind that loop you around and around until you can't remember where you started.

i want, suddenly, to hold her hand.  to just sit there with that small touch.  is her hand impossibly warm?  is it clammy and cold?  or tepid?  limp?  fierce?  bony?

still the words and the tears spill on.  still the people move around us.  still my throat closes around all the other questions spinning in my head:

if not this, what then?

Wednesday, June 6, 2012

a place for all the stars

he said his english name was Bench because benches are useful.

we giggled and said it was a good name.  and it was a good name because it fit somehow.  


i want to be useful.  i want to name things the way Bench could name things.  i want to have room for all the drops in my bucket, to not have to overflow in your car or in my kitchen or in the shower with the lights turned low low low.  

hips and bones.  
the back and the forth.  

the way my hands open like a book while you talk.  i'm collecting your stories

i'm sending them back up up up to the place 
where they belong


Friday, May 11, 2012

i think i can

how do they do it? the bees

with their perfectly patched honeycombs. a shape
in nature [repeating]  itself

i am the bee

surrounded by fabric and words, fabric and words.  fabric.
and words.

watching the tunnel of my life


take shape